乾隆的农家乐审美遭官方吐槽,人家明明已经很努力地搞文艺了

发布时间：2023-04-19 23:50:29

央视出品的清流综艺节目又火了。

《国家宝藏》，这档大型国宝探秘节目3日首播，立刻在网络上形成刷屏之势。

A large-scale cultural exploration program National Treasure made its debut on Channel 3 of China Central Television on Sunday night.

该节目集结了27件国家馆藏重器。首期节目中，故宫博物院推选的“王希孟《千里江山图》卷”、“各种釉彩大瓶”、“石鼓”三件重量级国宝惊艳亮相，令网友直呼震撼。

In the first episode, the Palace Museum in Beijing showcases three treasures: painting A Panorama of Rivers and Mountains by Wang Ximeng, Large Vase with Variegated Glazes and a stone drum.

李晨演绎《千里江山图》的故事，舞台设计相当震撼

李晨、王凯、梁家辉担任守护人，演绎每件国宝的前世今生。

Famous actors Wang Kai, Li Chen and Tony Leung played roles of national treasure keepers, along with other actors, and narrated the treasures' legendary life journey and shared their stories with these treasures.

节目对文物故事的讲述打动人心，而其背后凝聚的工匠精神更是令人肃然起敬。

比如节目现场揭秘《千里江山图》“青绿之色，千年不败”的秘诀，请来了非物质文化遗产“姜思序堂国画颜料制作技艺”的唯一传人仇庆年讲解画中矿物颜料的来源和制作工艺。

这些珍贵矿石都是仇庆年带着榔头到深山老林里采来的。

从石头变成颜料，每道工序都费时费力。每天需研磨8小时，要20天，才能磨出泛光的色泽。

中华文化正是因为这种水滴石穿、精益求精的工匠精神才有今天的博大精深。

主题曲《一眼千年》的MV也非常感人，来欣赏一下：

遭到官方吐槽的乾隆

第一期节目里大家印象最深的应该是王凯和他演绎的乾隆帝。

Wang Kai, performing as Qing Dynasty (1644-1911) Emperor Qianlong in the show, presented the historical background of Large Vase with Variegated Glazes, which has the most complicated craftsmanship in the history of Chinese imperial porcelain.

王凯在节目里扮演了清高宗乾隆帝，他展示了各种釉彩大瓶诞生的历史背景，该文物的精湛工艺堪称中国宫廷瓷器之最。

各种釉彩大瓶，这名字真是既朴素又霸气。

“各种釉彩”：一个瓶子上有17种花色；“大瓶”：瓶高86.4cm，又称瓷母。它是清代制瓷技术的集大成者。

你们的凯凯看到它的第一反应是：

这样看，它的颜值确实挺突出的。

说完意味深长地笑了

来看瓷母都有哪些花色：

再来围观一下这件稀世珍宝举世瞩目绝世无双之超凡技艺：

各种釉彩大瓶

Large Vase with Variegated Glazes

▌Period: Qianlong reign (1736-1795)

瓶洗口，长颈，长圆腹。

This vase has a flaring mouth-rim, a long neck and a melon-shaped body.

颈两侧各置一螭耳。

On the two sides are handles in the shape of dragons.

所使用的釉上彩装饰品种有金彩、珐琅彩、粉彩等；釉下彩装饰品种有青花；还有釉上彩与釉下彩相结合的斗彩。所使用的釉有仿哥釉、松石绿釉、窑变釉、粉青釉、霁蓝釉、仿汝釉、仿官釉、酱釉等。

From the top to the bottom the glazes include gold, purple-ground and green-ground famille rose, Ge-style celadon, blue-and-white, turquoise green, flambé, "contending colors", Ge celadon, blue-and-white, green-ground famille rose, red-ground with gold painting, Guan-style celadon, and cloud blue with gold painting.

吉祥图案各有寓意。锦地蝙蝠和如意权杖分别寓意万福长寿。其他图案也有“福”、“安”之意。

Some paintings have implied meanings. For instance, a flower with bat and ruyi scepter means that fortune and longevity will last forever. Others are blessings for good luck or peace.

不少网友嘲笑瓷母是农家乐风格，你们是不是也觉得有一种东北土炕大花袄的感觉？

然而王凯已经乾隆附体，对大瓶实力宠爱：

我觉得它是一个很有实力的作品，因为它的内在，所以也爱上了它的外在。

乾隆是怎么想到要烧制这样一个花里胡哨的大瓶呢？我们来看王凯带来的表演小品：

乾隆帝坚持要把十七种花色放到一个瓶子上，景德镇督陶官唐英表示“有点过了”

乾隆执念道：“你们不懂，就是要过！要是王羲之黄公望在世，一定能理解我的赤诚！”

果然，他把两位爱豆气活了。

王羲之气呼呼地埋怨：“你把我的《快雪时晴帖》糟蹋成什么样儿了。”

遍布题字、印章的《快雪时晴帖》

委屈宝耐心解释：“您的境界高深，我提些简单的诗句，是为了让后世百姓看得懂。”

面对黄公望，乾隆又一脸无辜地称赞《富春山居图》“太妙了”，表情自信又可爱，还说：“每次翻看，我都会有新的体会”。

最后，实在看不下去的雍正都出来和儿子撇清关系了。“你弄些个大俗之风，我大清的颜面何存。”

乾隆的审美真是……怎么说呢，贼闹腾。

王凯的评价很克制：

乍一看吧，就觉得乾隆的风格和别人的就不太一样。它的颜色偏复杂、偏重。

我们来几组瓶子，直观感受一下乾隆和他皇阿玛的审美差异。（文字介绍来自故宫博物院官网。）

雍正

▽

胭脂水釉小碗

Small Bowl with Rouge-red Glaze

胭脂水釉是清代康熙年间新创的品种，雍正时期烧造得最为精致。

Porcelain ware in rouge-red glaze was innovated in the Kangxi reign and fired with skill in the Yongzheng reign.

此小碗造型优雅，小巧玲珑，其底釉极白，胭脂水釉粉嫩娇艳，代表了清代这一品种的最高成就。

The rouge-red glazed bowl is distinctive in its extremely white interior and vivid pink exterior. Graceful and exquisite, it represents the highest achievement of Qing dynasty technology.

乾隆

▽

斗彩勾莲纹“寿”字葫芦瓶

Gourd-shaped Vase with Interlocking Lotus and Chinese "Longevity" (Shou) Characters in Contrasting Colors

葫芦瓶通体饰斗彩缠枝莲纹，并饰红蝠、篆体“寿”字纹，象征福寿绵长。

This vase is decorated in "contrasting colors" with decor of lotus pattern with red bats and the character for longevity (shou), a combination that symbolizes prosperity and longevity.

雍正

▽

淡粉釉瓶

Pale-pink Ceramic Vase

此瓶胎质洁白细润，造型秀美，釉色均匀纯正，淡粉色如三月桃花，淡雅宜人。金红釉瓷器为雍正时创烧，在官窑传世品中亦很罕见。

The graceful vase has lustrous paste and unctuous uniform glaze. The pale-pink color compares to the peach blossom in March. The Yongzheng reign innovated the golden-red glazed ware which even today is very seldom seen among official kiln collections.

此瓶是典型的雍正官窑制品，为传世之珍。

This vase is a classic from the Yongzheng kilns and is extremely rare.

乾隆

▽

粉彩九桃瓶

Famille-rose Vase with Nine Peaches Design

乾隆时期的粉彩瓷器中有大量祥瑞题材的装饰，这类题材大都借助自然景物寓意吉祥。绘画工细、层次清晰、内容繁缛是其时代特点。

The famille-rose porcelains of the Qianlong reign were richly ornamented with auspicious natural objects, commonly done in refined brushwork, distinctive arrangement and abundance.

雍正

▽

淡黄釉瓶

Pale-yellow Ceramic Vase

雍正淡黄釉瓷器的造型多为小件的瓶、盘、碗、杯、碟等，小巧的形体配以淡雅的釉色，颇显俊秀典雅。

Most of the Yongzheng era ceramics with light yellow glaze were small objects such as vases, plates, bowls, or dishes. With this light glaze, they look very elegant.

清代雍正瓷器素以造型娟秀、胎釉精细著称于世。此瓶由康熙时的柳叶瓶演变而来，其娇美之形体，恬静之釉质，集中体现了雍正瓷器的艺术风格。

Yongzheng ceramics are famous for their pleasing shapes and delicate glazes. Reflecting the classical style in the Yongzheng period, this vase evolved from willow-leaf shaped vase of the Kangxi period (1662-1722).

乾隆

▽

松石绿地矾红彩云蝠纹葫芦瓶

Double-gourd-shaped Vase Decorated with Bats

葫芦形瓶是中国古代陶瓷中的传统造型，葫芦的多籽与缠绕的藤蔓被人类赋予多子多孙和延绵不断繁衍的含义。

Vessels in gourd shapes are typical among traditional Chinese porcelain productions. The gourd is often connected with auspicious meanings such as abundance and fertility.

瓶上的“红蝠”与“洪福”谐音，寓意“洪福齐天”。

The pattern decorating the vase is also intended as a rebus in which great fortune and blessing are represented by image of the red bats.

此瓶无论是纹样还是造型均反映了乾隆时期对“福文化”的理解和追求。

对比下来，大概可以感受到雍正的审美简约清雅，而乾隆追求热闹喜庆、富贵吉祥……

再随便看几组：

雍正祭蓝釉胆式瓶